A clunky hybrid-half feel-good weepie, half preposterous thriller-that functions primarily as an elaborate travel brochure .... . . There's no explaining the presence of Guy Pearce in Pauline Chan's sappy, atonal family drama. But it's easy enough to understand why he looks so uncomfortable throughout.. An intensely realized, beautifully shot drama.. Often captivating.. The real rewards of this tough-minded yet hugely enjoyable throwback to earlier queer and art-house cinema work are its psychol...
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