Beautiful but indulgent.. Duris' performance is more finely tuned and less frenetic than Keitel's enjoyably over-the-top job, and the film's emotional chords resonate in more satisfying and complicated ways.. Anna Mouglalis makes for an icier Coco than Audrey Tautou, hardened by the death in 1919 of Boy Capel, the love of her life.. Jan Kounen's film is ravishingly beautiful, but inhumanly cool. The severe black-and-white deco interiors of Chanel's estate suggest an elegant chessboard where piti...
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