A shamelessly melodramatic series of romantic, financial and political crises embroil a rundown music hall in Paris 36, a gleaming hunk of French period schmaltz expertly rendered by director Christophe Barratier.. My tolerance for French kitsch is low and French accordion music lower, so that I stayed in my seat bodes well for the film's commercial prospects.. Paris 36 is perhaps overlong for what it is, and it's certainly feather-light, but it gives its watcher an uncomplicated pleasure; like ...
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